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ISRC

DEF058930500

Chansons de Bilitis: pour récitant, deux flûtes, deux harpes et célesta: III. Les Contes

Song: Les Chansons de Bilitis, L. 96, CD 102: No. 3. Les Contes

Catherine DeneuveEnsemble Wien-Berlin
Released 1990-08-13

Last verified:

DEF058930500 is the International Standard Recording Code (ISRC) for the recording "Chansons de Bilitis: pour récitant, deux flûtes, deux harpes et célesta: III. Les Contes" by Catherine Deneuve, Ensemble Wien-Berlin, released 1990-08-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
89Year (1989)
30500Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1989):
Last two digits of the reference year (1989). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Chansons de Bilitis: pour récitant, deux flûtes, deux harpes et célesta: III. Les Contes" by Catherine Deneuve?
The ISRC for "Chansons de Bilitis: pour récitant, deux flûtes, deux harpes et célesta: III. Les Contes" by Catherine Deneuve, Ensemble Wien-Berlin is DEF058930500.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058930500?

DEF058930500 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Chansons de Bilitis: pour récitant, deux flûtes, deux harpes et célesta: III. Les Contes" by Catherine Deneuve, Ensemble Wien-Berlin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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