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Fantasia for piano in D minor, KV 397 album cover

ISRC

DEF059002030

Fantasia for piano in D minor, KV 3972

Song: "ALLEGRETTO FROM ""FANTASIA IN D MINOR, K.397"""

Maria João Pires
matched
Released 1990-08-01

Last verified:

DEF059002030 is the International Standard Recording Code (ISRC) for the recording “Fantasia for piano in D minor, KV 397” by Maria João Pires, released 1990-08-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LOUIS JOSEPH MOYSE, WOLFGANG AMADEUS MOZART.

Format

DECountry
F05Registrant
90Year (1990)
02030Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFantasia for piano in D minor, KV 397
IPILOUIS JOSEPH MOYSE

People also ask

What is the ISRC for "Fantasia for piano in D minor, KV 397" by Maria João Pires?
The ISRC for "Fantasia for piano in D minor, KV 397" by Maria João Pires is DEF059002030.
Who wrote "Fantasia for piano in D minor, KV 397"?
"Fantasia for piano in D minor, KV 397" was written by LOUIS JOSEPH MOYSE, WOLFGANG AMADEUS MOZART.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059002030?

DEF059002030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fantasia for piano in D minor, KV 397” by Maria João Pires. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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