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4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt) album cover

ISRC

DEF059003420

4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt)

Song: Ständchen von Shakespeare, S. 558 Nr. 9

Yevgeny Kissin
Released 1991-01-01

Last verified:

DEF059003420 is the International Standard Recording Code (ISRC) for the recording "4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt)" by Yevgeny Kissin, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
90Year (1990)
03420Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt)" by Yevgeny Kissin?
The ISRC for "4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt)" by Yevgeny Kissin is DEF059003420.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059003420?

DEF059003420 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt)" by Yevgeny Kissin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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