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ISRC

DEF059302431

Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration

Song: Four Romances on Verses by Pushkin, op. 46b: No. 1. Regeneration

Сергей Петрович ЛейферкусGöteborgs SymfonikerNeeme Järvi
Released 1994-01-01

Last verified:

DEF059302431 is the International Standard Recording Code (ISRC) for the recording "Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration" by Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
93Year (1993)
02431Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration" by Сергей Петрович Лейферкус?
The ISRC for "Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration" by Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi is DEF059302431.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059302431?

DEF059302431 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration" by Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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