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Symphony of Psalms: II. Expectans expectavi Dominum album cover

ISRC

DEF059606262

Symphony of Psalms: II. Expectans expectavi Dominum

Song: Symphony of Psalms: II. “Expectans expectavi Dominum”

Sigurd BraunsRundfunkchor BerlinBerliner PhilharmonikerPierre Boulez
Released 1999-01-01

Last verified:

DEF059606262 is the International Standard Recording Code (ISRC) for the recording "Symphony of Psalms: II. Expectans expectavi Dominum" by Sigurd Brauns, Rundfunkchor Berlin, Berliner Philharmoniker, Pierre Boulez, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
96Year (1996)
06262Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphony of Psalms: II. Expectans expectavi Dominum" by Sigurd Brauns?
The ISRC for "Symphony of Psalms: II. Expectans expectavi Dominum" by Sigurd Brauns, Rundfunkchor Berlin, Berliner Philharmoniker, Pierre Boulez is DEF059606262.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059606262?

DEF059606262 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony of Psalms: II. Expectans expectavi Dominum" by Sigurd Brauns, Rundfunkchor Berlin, Berliner Philharmoniker, Pierre Boulez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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