ISRC
DEF059730718
Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor)
Song: Das Paradies und die Peri: Dritter Teil: Nr. 18 „Schmücket die Stufen zu Allahs Thron“ (Chor)
Last verified:
DEF059730718 is the International Standard Recording Code (ISRC) for the recording "Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor)" by Constanze Backes, Donna Deam, Katherine Fuge, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner, released 1999-05-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Format
- Country:
- ISO 3166-1 alpha-2 country code (DE).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1997):
- Last two digits of the reference year (1997). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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What is ISRC DEF059730718?
DEF059730718 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor)" by Constanze Backes, Donna Deam, Katherine Fuge, Lucinda Houghton, Jacqueline Connell, Monteverdi Choir, Susanna Spicer, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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