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Fremde in der Nacht album cover

ISRC

DEF069810400

Fremde in der Nacht

Song: FREMDE IN DER NACHT

Udo LindenbergTerri Bjerre
unmatchedNot yet matched in the MLC database
Released 1998-01-01

Last verified:

DEF069810400 is the International Standard Recording Code (ISRC) for the recording "Fremde in der Nacht" by Udo Lindenberg, Terri Bjerre, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F06Registrant
98Year (1998)
10400Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Fremde in der Nacht" by Udo Lindenberg?
The ISRC for "Fremde in der Nacht" by Udo Lindenberg, Terri Bjerre is DEF069810400.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF069810400?

DEF069810400 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Fremde in der Nacht" by Udo Lindenberg, Terri Bjerre. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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