ISRC
DEH849900386
Dooms Night (club mix)2
Song: Dooms Night
Last verified:
DEH849900386 is the International Standard Recording Code (ISRC) for the recording "Dooms Night (club mix)" by Azzido da Bass, released 1999-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-801.872.488-5.
Format
- Country:
- ISO 3166-1 alpha-2 country code (DE).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1999):
- Last two digits of the reference year (1999). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Verified on
Related
Other versions of this workView all on iswc.fm
Dooms Night (Pascal F.E.O.S. Treatment mix)
Azzido da Bass
DEH840000819
Dooms Night (Stanton Warriors radio edit)
Azzido da Bass
DEH840000897
Dooms Night (Stanton Warriors Main mix)
Azzido da Bass
DEH840000898
Dooms Night (Stanton Warriors dub edit)
Azzido da Bass
DEH840000899
Dooms Night (Norman Jay's Doomsday club edit)
Azzido da Bass
DEH840000900
More by Azzido da Bass
Dooms Night (Timo Maas radio edit)
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DEH840000015
Dooms Night (Timo Maas radio edit)
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DEN060800008
Dooms Night (Radio Slave's Panorama Garage remix)
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DEN060700761
Dooms Night (Stanton Warriors Main mix)
Azzido da Bass
DEH840000898
Dooms Night (Pascal F.E.O.S. Treatment mix)
Azzido da Bass
DEH840000819
Dooms Night (Crookers remix)
Azzido da Bass
DEN060800009
People also ask
What is ISRC DEH849900386?
DEH849900386 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dooms Night (club mix)" by Azzido da Bass. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-801.872.488-5, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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