ISRC

DELJ81619553

Brüderlein und Schwesterlein2

Song: HERR CHEVALIER, ICH GRÜSSE SIE / BRÜDERLEIN UND SCHWESTERLEIN

Peter AlexanderGroßes Film-Orchester
matched
Released 1962-01-01

Last verified:

DELJ81619553 is the International Standard Recording Code (ISRC) for the recording "Brüderlein und Schwesterlein" by Peter Alexander, Großes Film-Orchester, released 1962-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STRAUSS, GENEE, HAFFNER.

Format

DECountry
LJ8Registrant
16Year (2016)
19553Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

STRAUSSComposer
GENEEComposer
HAFFNERComposer

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Brüderlein und Schwesterlein" by Peter Alexander?
The ISRC for "Brüderlein und Schwesterlein" by Peter Alexander, Großes Film-Orchester is DELJ81619553.
Who wrote "Brüderlein und Schwesterlein"?
"Brüderlein und Schwesterlein" was written by STRAUSS, GENEE, HAFFNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DELJ81619553?

DELJ81619553 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Brüderlein und Schwesterlein" by Peter Alexander, Großes Film-Orchester. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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