Baba Nam Keva Lam album cover

ISRC

DELK12100157

Baba Nam Keva Lam2

Song: BABA NAM KEVA LAM

EstefanO Haze
matched
Released 2021-11-19

Last verified:

DELK12100157 is the International Standard Recording Code (ISRC) for the recording “Baba Nam Keva Lam by EstefanO Haze, released 2021-11-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEFAN KJAER.

Format

DECountry
LK1Registrant
21Year (2021)
00157Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

STEFAN KJAERComposerLyricist
MILLENNIUM SONGS OriginalPublisherIPI: 00267035075
SENTRIC MUSIC LIMITED SubPublisherIPI: 00509030978

Who publishes this song?

MILLENNIUM SONGSOriginalPublisher
IPI: 00267035075
SENTRIC MUSIC LIMITEDSubPublisher
IPI: 00509030978

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Baba Nam Keva Lam" by EstefanO Haze?
The ISRC for "Baba Nam Keva Lam" by EstefanO Haze is DELK12100157.
Who wrote "Baba Nam Keva Lam"?
"Baba Nam Keva Lam" was written by STEFAN KJAER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DELK12100157?

DELK12100157 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Baba Nam Keva Lam by EstefanO Haze. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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