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Feel Good (radio edit) album cover

ISRC

DEMA61700560

Feel Good (radio edit)

Song: FEELING GOOD

Perfect Pitch
unmatchedNot yet matched in the MLC database
Released 2019-01-01

Last verified:

DEMA61700560 is the International Standard Recording Code (ISRC) for the recording "Feel Good (radio edit)" by Perfect Pitch, released 2019-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
MA6Registrant
17Year (2017)
00560Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Feel Good (radio edit)" by Perfect Pitch?
The ISRC for "Feel Good (radio edit)" by Perfect Pitch is DEMA61700560.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEMA61700560?

DEMA61700560 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Feel Good (radio edit)" by Perfect Pitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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