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The Bottle [Live, Bremen, 1983] album cover

ISRC

DEMV92300246

The Bottle [Live, Bremen, 1983]2

Song: THE BOTTLE

Gil Scott-HeronAmnesia Express
unmatchedNot yet matched in the MLC database
Released 2023-07-28

Last verified:

DEMV92300246 is the International Standard Recording Code (ISRC) for the recording "The Bottle [Live, Bremen, 1983]" by Gil Scott-Heron, Amnesia Express, released 2023-07-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
MV9Registrant
23Year (2023)
00246Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SCOT HERONComposer
BROUHAHA MUSIC INC OriginalPublisher100.00%IPI: 00071643974

Who publishes this song?

BROUHAHA MUSIC INCOriginalPublisher
IPI: 00071643974

MLC Song Code

B67660
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "The Bottle [Live, Bremen, 1983]" by Gil Scott-Heron?
The ISRC for "The Bottle [Live, Bremen, 1983]" by Gil Scott-Heron, Amnesia Express is DEMV92300246.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEMV92300246?

DEMV92300246 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Bottle [Live, Bremen, 1983]" by Gil Scott-Heron, Amnesia Express. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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