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Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" album cover

ISRC

DEN120301617

Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott"

Albrecht MayerNigel KennedySinfonia Varsovia
Released 2003-01-01

Last verified:

DEN120301617 is the International Standard Recording Code (ISRC) for the recording "Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott"" by Albrecht Mayer, Nigel Kennedy, Sinfonia Varsovia, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N12Registrant
03Year (2003)
01617Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott"" by Albrecht Mayer?
The ISRC for "Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott"" by Albrecht Mayer, Nigel Kennedy, Sinfonia Varsovia is DEN120301617.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN120301617?

DEN120301617 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott"" by Albrecht Mayer, Nigel Kennedy, Sinfonia Varsovia. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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