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ISRC

DEN960000544

Vier Ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und mit Engelszungen redete

Song: 4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete

Thomas QuasthoffJustus Zeyen
Released 2001-01-01

Last verified:

DEN960000544 is the International Standard Recording Code (ISRC) for the recording "Vier Ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und mit Engelszungen redete" by Thomas Quasthoff, Justus Zeyen, released 2001-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
00Year (2000)
00544Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Vier Ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und mit Engelszungen redete" by Thomas Quasthoff?
The ISRC for "Vier Ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und mit Engelszungen redete" by Thomas Quasthoff, Justus Zeyen is DEN960000544.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960000544?

DEN960000544 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Vier Ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und mit Engelszungen redete" by Thomas Quasthoff, Justus Zeyen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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