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ISRC

DEN960201082

Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent

Song: Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent

Hilary SummersEnsemble intercontemporainPierre Boulez
Released 2005-01-01

Last verified:

DEN960201082 is the International Standard Recording Code (ISRC) for the recording "Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent" by Hilary Summers, Ensemble intercontemporain, Pierre Boulez, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
02Year (2002)
01082Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent" by Hilary Summers?
The ISRC for "Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent" by Hilary Summers, Ensemble intercontemporain, Pierre Boulez is DEN960201082.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960201082?

DEN960201082 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent" by Hilary Summers, Ensemble intercontemporain, Pierre Boulez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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