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ISRC

DEN960531813

Edgar: “Orgia, chimera dall’occhio vitreo”

Song: Edgar: Atto II. “Orgia chimera dall’occhio vitreo” (Edgar)

Plácido DomingoOrchestra dell’Accademia Nazionale di Santa CeciliaAlberto Veronesi
Released 2015-01-01

Last verified:

DEN960531813 is the International Standard Recording Code (ISRC) for the recording "Edgar: “Orgia, chimera dall’occhio vitreo”" by Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi, released 2015-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
05Year (2005)
31813Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Edgar: “Orgia, chimera dall’occhio vitreo”" by Plácido Domingo?
The ISRC for "Edgar: “Orgia, chimera dall’occhio vitreo”" by Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi is DEN960531813.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960531813?

DEN960531813 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Edgar: “Orgia, chimera dall’occhio vitreo”" by Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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