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ISRC

DEN960630907

The Tsar’s Bride: Scene and Aria from Act IV

Song: La Fiancèe du Tsar: Acte IV. Scène i Aria "Ivan Sergeyič, khočeš' v sad poydyom?" (Marfa)

Анна Юрьевна НетребкоСимфонический оркестр Мариинского театраВалерий Абисалович Гергиев
Released 2006-10-27

Last verified:

DEN960630907 is the International Standard Recording Code (ISRC) for the recording "The Tsar’s Bride: Scene and Aria from Act IV" by Анна Юрьевна Нетребко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев, released 2006-10-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
06Year (2006)
30907Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Tsar’s Bride: Scene and Aria from Act IV" by Анна Юрьевна Нетребко?
The ISRC for "The Tsar’s Bride: Scene and Aria from Act IV" by Анна Юрьевна Нетребко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев is DEN960630907.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960630907?

DEN960630907 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Tsar’s Bride: Scene and Aria from Act IV" by Анна Юрьевна Нетребко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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