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ISRC

DEN960702112

Piano Trio in D major, op. 70 no. 1 "Ghost": 2. Largo assai ed espressivo

Song: PUBLIC DOMAIN TRACK

Julian RachlinMischa MaiskyMartha Argerich
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Released 2015-06-01

Last verified:

DEN960702112 is the International Standard Recording Code (ISRC) for the recording "Piano Trio in D major, op. 70 no. 1 "Ghost": 2. Largo assai ed espressivo" by Julian Rachlin, Mischa Maisky, Martha Argerich, released 2015-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
07Year (2007)
02112Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Trio in D major, op. 70 no. 1 "Ghost": 2. Largo assai ed espressivo" by Julian Rachlin?
The ISRC for "Piano Trio in D major, op. 70 no. 1 "Ghost": 2. Largo assai ed espressivo" by Julian Rachlin, Mischa Maisky, Martha Argerich is DEN960702112.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960702112?

DEN960702112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Trio in D major, op. 70 no. 1 "Ghost": 2. Largo assai ed espressivo" by Julian Rachlin, Mischa Maisky, Martha Argerich. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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