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Motet: Quem vidistis, pastores - Dicite, quidnam vidistis album cover

ISRC

DEN961700870

Motet: Quem vidistis, pastores - Dicite, quidnam vidistis

Song: Quem vidistis, pastores?

Massimo PalombellaCecilia BartoliCappella Musicale Pontificia Sistina

Last verified:

DEN961700870 is the International Standard Recording Code (ISRC) for the recording "Motet: Quem vidistis, pastores - Dicite, quidnam vidistis" by Massimo Palombella, Cecilia Bartoli, Cappella Musicale Pontificia Sistina. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
17Year (2017)
00870Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Motet: Quem vidistis, pastores - Dicite, quidnam vidistis" by Massimo Palombella?
The ISRC for "Motet: Quem vidistis, pastores - Dicite, quidnam vidistis" by Massimo Palombella, Cecilia Bartoli, Cappella Musicale Pontificia Sistina is DEN961700870.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN961700870?

DEN961700870 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Motet: Quem vidistis, pastores - Dicite, quidnam vidistis" by Massimo Palombella, Cecilia Bartoli, Cappella Musicale Pontificia Sistina. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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