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La rondine, SC 83: “Parigi! È la città dei desideri” album cover

ISRC

DEN962301770

La rondine, SC 83: “Parigi! È la città dei desideri”

Song: La Rondine: Atto I. “Parigi! è la città dei desideri” (Ruggero)

Jonathan TetelmanPKF - Prague PhilharmoniaCarlo Rizzi
Released 2023-09-28

Last verified:

DEN962301770 is the International Standard Recording Code (ISRC) for the recording “La rondine, SC 83: “Parigi! È la città dei desideri”” by Jonathan Tetelman, PKF - Prague Philharmonia, Carlo Rizzi, released 2023-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
23Year (2023)
01770Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La rondine, SC 83: “Parigi! È la città dei desideri”" by Jonathan Tetelman?
The ISRC for "La rondine, SC 83: “Parigi! È la città dei desideri”" by Jonathan Tetelman, PKF - Prague Philharmonia, Carlo Rizzi is DEN962301770.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962301770?

DEN962301770 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La rondine, SC 83: “Parigi! È la città dei desideri”” by Jonathan Tetelman, PKF - Prague Philharmonia, Carlo Rizzi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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