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Le Carnaval des animaux, R. 125: No. 2. Poules et coqs album cover

ISRC

DEN962334803

Le Carnaval des animaux, R. 125: No. 2. Poules et coqs2

Song: PUBLIC DOMAIN TRACK

Lang LangGina AliceGewandhausorchester LeipzigAndris Nelsons
unmatchedNot yet matched in the MLC database
Released 2024-02-28

Last verified:

DEN962334803 is the International Standard Recording Code (ISRC) for the recording “Le Carnaval des animaux, R. 125: No. 2. Poules et coqs” by Lang Lang, Gina Alice, Gewandhausorchester Leipzig, Andris Nelsons, released 2024-02-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
23Year (2023)
34803Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Le Carnaval des animaux, R. 125: No. 2. Poules et coqs" by Lang Lang?
The ISRC for "Le Carnaval des animaux, R. 125: No. 2. Poules et coqs" by Lang Lang, Gina Alice, Gewandhausorchester Leipzig, Andris Nelsons is DEN962334803.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962334803?

DEN962334803 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Le Carnaval des animaux, R. 125: No. 2. Poules et coqs” by Lang Lang, Gina Alice, Gewandhausorchester Leipzig, Andris Nelsons. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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