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ISRC

DEN962402760

Le nozze di Figaro, K. 492, Act III: Recit. Hai già vinta la causa!

Song: Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)

Andrè SchuenMozarteumorchester SalzburgRoberto González-Monjas

Last verified:

DEN962402760 is the International Standard Recording Code (ISRC) for the recording "Le nozze di Figaro, K. 492, Act III: Recit. Hai già vinta la causa!" by Andrè Schuen, Mozarteumorchester Salzburg, Roberto González-Monjas. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
24Year (2024)
02760Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le nozze di Figaro, K. 492, Act III: Recit. Hai già vinta la causa!" by Andrè Schuen?
The ISRC for "Le nozze di Figaro, K. 492, Act III: Recit. Hai già vinta la causa!" by Andrè Schuen, Mozarteumorchester Salzburg, Roberto González-Monjas is DEN962402760.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962402760?

DEN962402760 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le nozze di Figaro, K. 492, Act III: Recit. Hai già vinta la causa!" by Andrè Schuen, Mozarteumorchester Salzburg, Roberto González-Monjas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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