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ISRC

DEN962435403

Adriana Mater, Act I Tableau 1: Clartés: Elle ne m’adresse plus la parole

Song: Adriana Mater: Acte I

Fleur BarronChristopher PurvesSan Francisco SymphonyEsa-Pekka Salonen

Last verified:

DEN962435403 is the International Standard Recording Code (ISRC) for the recording "Adriana Mater, Act I Tableau 1: Clartés: Elle ne m’adresse plus la parole" by Fleur Barron, Christopher Purves, San Francisco Symphony, Esa-Pekka Salonen. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
24Year (2024)
35403Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Adriana Mater, Act I Tableau 1: Clartés: Elle ne m’adresse plus la parole" by Fleur Barron?
The ISRC for "Adriana Mater, Act I Tableau 1: Clartés: Elle ne m’adresse plus la parole" by Fleur Barron, Christopher Purves, San Francisco Symphony, Esa-Pekka Salonen is DEN962435403.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962435403?

DEN962435403 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Adriana Mater, Act I Tableau 1: Clartés: Elle ne m’adresse plus la parole" by Fleur Barron, Christopher Purves, San Francisco Symphony, Esa-Pekka Salonen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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