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Requiem A: Atem - Pt. 2 album cover

ISRC

DEN962500356

Requiem A: Atem - Pt. 22

Song: REQUIEM A

Sven HelbigDresdner KreuzchorStaatskapelle DresdenMartin Lehmann
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Released 2025-05-08

Last verified:

DEN962500356 is the International Standard Recording Code (ISRC) for the recording "Requiem A: Atem - Pt. 2" by Sven Helbig, Dresdner Kreuzchor, Staatskapelle Dresden, Martin Lehmann, released 2025-05-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SVEN HELBIG.

Format

DECountry
N96Registrant
25Year (2025)
00356Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCRequiem A: Atem - Pt. 2
IPISVEN HELBIG

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Songwriter profiles

SVEN HELBIGIPI

People also ask

What is the ISRC for "Requiem A: Atem - Pt. 2" by Sven Helbig?
The ISRC for "Requiem A: Atem - Pt. 2" by Sven Helbig, Dresdner Kreuzchor, Staatskapelle Dresden, Martin Lehmann is DEN962500356.
Who wrote "Requiem A: Atem - Pt. 2"?
"Requiem A: Atem - Pt. 2" was written by SVEN HELBIG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962500356?

DEN962500356 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Requiem A: Atem - Pt. 2" by Sven Helbig, Dresdner Kreuzchor, Staatskapelle Dresden, Martin Lehmann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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