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ISRC

DEND81810385

So bin ich eben! (Authentisch zu sein - wie sieht das aus 24 Stunden am Tag?)

Andrea KästleJulia FischerMathias VoelchertClaus Vester
Released 2018-01-01

Last verified:

DEND81810385 is the International Standard Recording Code (ISRC) for the recording "So bin ich eben! (Authentisch zu sein - wie sieht das aus 24 Stunden am Tag?)" by Andrea Kästle, Julia Fischer, Mathias Voelchert, Claus Vester, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
ND8Registrant
18Year (2018)
10385Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "So bin ich eben! (Authentisch zu sein - wie sieht das aus 24 Stunden am Tag?)" by Andrea Kästle?
The ISRC for "So bin ich eben! (Authentisch zu sein - wie sieht das aus 24 Stunden am Tag?)" by Andrea Kästle, Julia Fischer, Mathias Voelchert, Claus Vester is DEND81810385.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEND81810385?

DEND81810385 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "So bin ich eben! (Authentisch zu sein - wie sieht das aus 24 Stunden am Tag?)" by Andrea Kästle, Julia Fischer, Mathias Voelchert, Claus Vester. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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