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ISRC

DEP620000489

NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO

Song: NINE PRELUDES, OP. 1

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DEP620000489 is the International Standard Recording Code (ISRC) for the recording “NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KAROL SZYMANOWSKI.

Format

DECountry
P62Registrant
00Year (2000)
00489Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KAROL SZYMANOWSKIComposer
EUROPEAN AMERICAN MUSIC OBO UNIVERSAL EDITION AG, VIENNA OriginalPublisher100.00%IPI: 00628265925

Who publishes this song?

EUROPEAN AMERICAN MUSIC OBO UNIVERSAL EDITION AG, VIENNAOriginalPublisher
IPI: 00628265925

MLC Song Code

N1987O
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO"?
The ISRC for "NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO" is DEP620000489.
Who wrote "NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO"?
"NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO" was written by KAROL SZYMANOWSKI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEP620000489?

DEP620000489 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NINE PRÉLUDES OP. 1: ANDANTINO CON MOTO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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