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ISRC

DEP620100611

Luisa Miller: “Oh! fede negar potessi ... Quando le sere al placido”

Song: Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)

Johan BothaRadio-Symphonieorchester WienPaolo Carignani
Released 2001-01-01

Last verified:

DEP620100611 is the International Standard Recording Code (ISRC) for the recording "Luisa Miller: “Oh! fede negar potessi ... Quando le sere al placido”" by Johan Botha, Radio-Symphonieorchester Wien, Paolo Carignani, released 2001-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
P62Registrant
01Year (2001)
00611Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Luisa Miller: “Oh! fede negar potessi ... Quando le sere al placido”" by Johan Botha?
The ISRC for "Luisa Miller: “Oh! fede negar potessi ... Quando le sere al placido”" by Johan Botha, Radio-Symphonieorchester Wien, Paolo Carignani is DEP620100611.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEP620100611?

DEP620100611 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Luisa Miller: “Oh! fede negar potessi ... Quando le sere al placido”" by Johan Botha, Radio-Symphonieorchester Wien, Paolo Carignani. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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