ISRC

DEP620200500

PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO

Song: PIANO CONCERTO NO. 5 IN D MAJOR, K. 175: II. ANDANTE MA UN POCO ADAGIO

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DEP620200500 is the International Standard Recording Code (ISRC) for the recording "PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART, DONALD MICHAEL KASEN.

Format

DECountry
P62Registrant
02Year (2002)
00500Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO

People also ask

What is the ISRC for "PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO"?
The ISRC for "PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO" is DEP620200500.
Who wrote "PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO"?
"PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO" was written by WOLFGANG AMADEUS MOZART, DONALD MICHAEL KASEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEP620200500?

DEP620200500 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "PIANO CONCERTO NO 5 IN D MAJOR K 175 II ANDANTE MA UN POCO ADAGIO". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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