ISRC

DEP980600002

Bounce (extended mix)

Song: BOUNCE

Steve’n King
unmatchedNot yet matched in the MLC database
Released 2006-01-01

Last verified:

DEP980600002 is the International Standard Recording Code (ISRC) for the recording "Bounce (extended mix)" by Steve’n King, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TOD MACHOVER.

Format

DECountry
P98Registrant
06Year (2006)
00002Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TOD MACHOVERComposer
G. RICORDI & CO. OriginalPublisher0.00%
UNIVERSAL MUSIC-CAREERS RightsAdministrator100.00%IPI: 00539732230

Who publishes this song?

G. RICORDI & CO.OriginalPublisher
UNIVERSAL MUSIC-CAREERSRightsAdministrator
IPI: 00539732230

MLC Song Code

SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "Bounce (extended mix)" by Steve’n King?
The ISRC for "Bounce (extended mix)" by Steve’n King is DEP980600002.
Who wrote "Bounce (extended mix)"?
"Bounce (extended mix)" was written by TOD MACHOVER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEP980600002?

DEP980600002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bounce (extended mix)" by Steve’n King. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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