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ISRC

DEQS91200075

Der deutsche Hitmix 2013, Block I: Der DJ aus den Bergen / Ne was is das schön / Dat is geil / Ein Diamant

DJ ÖtziJürgen DrewsBringsTim Toupet
Released 2012-11-16

Last verified:

DEQS91200075 is the International Standard Recording Code (ISRC) for the recording “Der deutsche Hitmix 2013, Block I: Der DJ aus den Bergen / Ne was is das schön / Dat is geil / Ein Diamant” by DJ Ötzi, Jürgen Drews, Brings, Tim Toupet, released 2012-11-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
QS9Registrant
12Year (2012)
00075Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Der deutsche Hitmix 2013, Block I: Der DJ aus den Bergen / Ne was is das schön / Dat is geil / Ein Diamant" by DJ Ötzi?
The ISRC for "Der deutsche Hitmix 2013, Block I: Der DJ aus den Bergen / Ne was is das schön / Dat is geil / Ein Diamant" by DJ Ötzi, Jürgen Drews, Brings, Tim Toupet is DEQS91200075.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEQS91200075?

DEQS91200075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Der deutsche Hitmix 2013, Block I: Der DJ aus den Bergen / Ne was is das schön / Dat is geil / Ein Diamant” by DJ Ötzi, Jürgen Drews, Brings, Tim Toupet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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