Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen album cover

ISRC

DET902071025

Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen

Song: Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen

Daniel BehleOrchester der Kammeroper MünchenChristophe Gördes
Released 2020-09-04

Last verified:

DET902071025 is the International Standard Recording Code (ISRC) for the recording “Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen by Daniel Behle, Orchester der Kammeroper München, Christophe Gördes, released 2020-09-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
T90Registrant
20Year (2020)
71025Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen" by Daniel Behle?
The ISRC for "Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen" by Daniel Behle, Orchester der Kammeroper München, Christophe Gördes is DET902071025.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DET902071025?

DET902071025 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen by Daniel Behle, Orchester der Kammeroper München, Christophe Gördes. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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