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ISRC

DET902384718

Winterreise, op. 89, D 911, zweite Abtheilung: Der stürmische Morgen

Song: Die Winterreise, op. 89, D. 911: XVIII. Der stürmische Morgen

Tobias BerndtHeidi StegerUwe StegerGewandhausChorGregor Meyer
Released 2023-10-06

Last verified:

DET902384718 is the International Standard Recording Code (ISRC) for the recording "Winterreise, op. 89, D 911, zweite Abtheilung: Der stürmische Morgen" by Tobias Berndt, Heidi Steger, Uwe Steger, GewandhausChor, Gregor Meyer, released 2023-10-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
T90Registrant
23Year (2023)
84718Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Winterreise, op. 89, D 911, zweite Abtheilung: Der stürmische Morgen" by Tobias Berndt?
The ISRC for "Winterreise, op. 89, D 911, zweite Abtheilung: Der stürmische Morgen" by Tobias Berndt, Heidi Steger, Uwe Steger, GewandhausChor, Gregor Meyer is DET902384718.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DET902384718?

DET902384718 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Winterreise, op. 89, D 911, zweite Abtheilung: Der stürmische Morgen" by Tobias Berndt, Heidi Steger, Uwe Steger, GewandhausChor, Gregor Meyer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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