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ISRC

DEU240401262

Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht

Song: Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“

Elisabeth SchwarzkopfPhilharmonia OrchestraOtto Ackermann
Released 1987-01-01

Last verified:

DEU240401262 is the International Standard Recording Code (ISRC) for the recording "Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht" by Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
U24Registrant
04Year (2004)
01262Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht" by Elisabeth Schwarzkopf?
The ISRC for "Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht" by Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann is DEU240401262.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU240401262?

DEU240401262 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht" by Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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