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Der Freischütz: Akt II. „Wie nahte mir der Schlummer“ … „Leise, fromme Weise“ album cover

ISRC

DEU240552483

Der Freischütz: Akt II. „Wie nahte mir der Schlummer“ … „Leise, fromme Weise“

Song: Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe)

Lotte Lehmann
Released 2005-07-18

Last verified:

DEU240552483 is the International Standard Recording Code (ISRC) for the recording “Der Freischütz: Akt II. „Wie nahte mir der Schlummer“ … „Leise, fromme Weise“” by Lotte Lehmann, released 2005-07-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
U24Registrant
05Year (2005)
52483Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Der Freischütz: Akt II. „Wie nahte mir der Schlummer“ … „Leise, fromme Weise“" by Lotte Lehmann?
The ISRC for "Der Freischütz: Akt II. „Wie nahte mir der Schlummer“ … „Leise, fromme Weise“" by Lotte Lehmann is DEU240552483.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU240552483?

DEU240552483 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Der Freischütz: Akt II. „Wie nahte mir der Schlummer“ … „Leise, fromme Weise“” by Lotte Lehmann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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