Rigoletto: “Bella figlia dell’ amore” album cover

ISRC

DEU240552500

Rigoletto: “Bella figlia dell’ amore”

Song: Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)

Enrico CarusoAntonio ScottiMarcella SembrichGina SeverinaWalter B. Rogers
Released 1992-12-02

Last verified:

DEU240552500 is the International Standard Recording Code (ISRC) for the recording “Rigoletto: “Bella figlia dell’ amore” by Enrico Caruso, Antonio Scotti, Marcella Sembrich, Gina Severina, Walter B. Rogers, released 1992-12-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
U24Registrant
05Year (2005)
52500Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Rigoletto: “Bella figlia dell’ amore”" by Enrico Caruso?
The ISRC for "Rigoletto: “Bella figlia dell’ amore”" by Enrico Caruso, Antonio Scotti, Marcella Sembrich, Gina Severina, Walter B. Rogers is DEU240552500.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU240552500?

DEU240552500 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Rigoletto: “Bella figlia dell’ amore” by Enrico Caruso, Antonio Scotti, Marcella Sembrich, Gina Severina, Walter B. Rogers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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