ISRC

DEU240819897

Tenor Conclave2

Song: BOB'S BOYS

Hank MobleyAl CohnJohn ColtraneZoot Sims
unmatchedNot yet matched in the MLC database
Released 1957-04-01

Last verified:

DEU240819897 is the International Standard Recording Code (ISRC) for the recording "Tenor Conclave" by Hank Mobley, Al Cohn, John Coltrane, Zoot Sims, released 1957-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HANK MOBLEY.

Format

DECountry
U24Registrant
08Year (2008)
19897Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HANK MOBLEYComposer
SECOND FLOOR MUSIC OriginalPublisherIPI: 00064832666

Who publishes this song?

SECOND FLOOR MUSICOriginalPublisher
IPI: 00064832666

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Tenor Conclave" by Hank Mobley?
The ISRC for "Tenor Conclave" by Hank Mobley, Al Cohn, John Coltrane, Zoot Sims is DEU240819897.
Who wrote "Tenor Conclave"?
"Tenor Conclave" was written by HANK MOBLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU240819897?

DEU240819897 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tenor Conclave" by Hank Mobley, Al Cohn, John Coltrane, Zoot Sims. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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