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ISRC

DEU241066169

IF YOU WANT TO BE MY SUGAR PAPA

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DEU241066169 is the International Standard Recording Code (ISRC) for the recording “IF YOU WANT TO BE MY SUGAR PAPA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BERTRAND, BLYTHE BLYTHE.

Format

DECountry
U24Registrant
10Year (2010)
66169Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BERTRANDComposer
ACORN PUBLISHING OriginalPublisher0.00%IPI: 00270781655
PEERMUSIC III LTD OriginalPublisher100.00%IPI: 00183126677
BLYTHE BLYTHEComposer
ACORN PUBLISHING OriginalPublisher0.00%IPI: 00270781655
PEERMUSIC III LTD OriginalPublisher100.00%IPI: 00183126677

Who publishes this song?

ACORN PUBLISHINGOriginalPublisher
IPI: 00270781655
PEERMUSIC III LTDOriginalPublisher
IPI: 00183126677
SourcesMLC

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People also ask

What is the ISRC for "IF YOU WANT TO BE MY SUGAR PAPA"?
The ISRC for "IF YOU WANT TO BE MY SUGAR PAPA" is DEU241066169.
Who wrote "IF YOU WANT TO BE MY SUGAR PAPA"?
"IF YOU WANT TO BE MY SUGAR PAPA" was written by BERTRAND, BLYTHE BLYTHE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEU241066169?

DEU241066169 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “IF YOU WANT TO BE MY SUGAR PAPA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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