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ISRC

DEUV71201302

Do You Wanna Touch Me (Oh Yeah) - The BossHoss Session [Making of "The Internashville Sessions"]

The BossHossEagles of Death Metal
Released 2012-11-28

Last verified:

DEUV71201302 is the International Standard Recording Code (ISRC) for the recording "Do You Wanna Touch Me (Oh Yeah) - The BossHoss Session [Making of "The Internashville Sessions"]" by The BossHoss, Eagles of Death Metal, released 2012-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
UV7Registrant
12Year (2012)
01302Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Do You Wanna Touch Me (Oh Yeah) - The BossHoss Session [Making of "The Internashville Sessions"]" by The BossHoss?
The ISRC for "Do You Wanna Touch Me (Oh Yeah) - The BossHoss Session [Making of "The Internashville Sessions"]" by The BossHoss, Eagles of Death Metal is DEUV71201302.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEUV71201302?

DEUV71201302 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Do You Wanna Touch Me (Oh Yeah) - The BossHoss Session [Making of "The Internashville Sessions"]" by The BossHoss, Eagles of Death Metal. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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