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BAD TECHNIQUE album cover

ISRC

DEW871704916

BAD TECHNIQUE

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DEW871704916 is the International Standard Recording Code (ISRC) for the recording "BAD TECHNIQUE". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALVARO GOMEZ MARTINEZ, ROBERTO PALMERO.

Format

DECountry
W87Registrant
17Year (2017)
04916Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ALVARO GOMEZ MARTINEZComposerLyricist
LAPSUS MUSIC PUBLISHING OriginalPublisher0.00%IPI: 00823385240
SENTRIC MUSIC LIMITED SubPublisher50.00%IPI: 00509030978
ROBERTO PALMEROComposerLyricist
LAPSUS MUSIC PUBLISHING OriginalPublisher0.00%IPI: 00823385240
SENTRIC MUSIC LIMITED SubPublisher50.00%IPI: 00509030978

Who publishes this song?

LAPSUS MUSIC PUBLISHINGOriginalPublisher
IPI: 00823385240
SENTRIC MUSIC LIMITEDSubPublisher
IPI: 00509030978

MLC Song Code

BA83MX
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People also ask

What is the ISRC for "BAD TECHNIQUE"?
The ISRC for "BAD TECHNIQUE" is DEW871704916.
Who wrote "BAD TECHNIQUE"?
"BAD TECHNIQUE" was written by ALVARO GOMEZ MARTINEZ, ROBERTO PALMERO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEW871704916?

DEW871704916 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BAD TECHNIQUE". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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