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Squeeze 1st 2 - A COLORS SHOW album cover

ISRC

DEXC82400100

Squeeze 1st 2 - A COLORS SHOW

Song: SQUEEZE 1ST 2 - A COLORS SHOW

Ab-SoulCOLORS
unmatchedNot yet matched in the MLC database
Released 2024-11-28

Last verified:

DEXC82400100 is the International Standard Recording Code (ISRC) for the recording "Squeeze 1st 2 - A COLORS SHOW" by Ab-Soul, COLORS, released 2024-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HERBERT ANTHONY STEVENS, RUSSELL CRAIG SCOTT WOOD.

Format

DECountry
XC8Registrant
24Year (2024)
00100Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSqueeze 1st 2 - A COLORS SHOW
IPIHERBERT ANTHONY STEVENS

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Songwriter profiles

HERBERT ANTHONY STEVENSIPI

People also ask

What is the ISRC for "Squeeze 1st 2 - A COLORS SHOW" by Ab-Soul?
The ISRC for "Squeeze 1st 2 - A COLORS SHOW" by Ab-Soul, COLORS is DEXC82400100.
Who wrote "Squeeze 1st 2 - A COLORS SHOW"?
"Squeeze 1st 2 - A COLORS SHOW" was written by HERBERT ANTHONY STEVENS, RUSSELL CRAIG SCOTT WOOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEXC82400100?

DEXC82400100 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Squeeze 1st 2 - A COLORS SHOW" by Ab-Soul, COLORS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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