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ISRC

DEY321303048

Brockes-Passion: 48A. Recitativo (Evangelist) Pilatus wunderte sich sehr 48B. Chorus Nein, diesen nicht

Les MuffattiPeter Van Heyghen
Released 2014-01-01

Last verified:

DEY321303048 is the International Standard Recording Code (ISRC) for the recording "Brockes-Passion: 48A. Recitativo (Evangelist) Pilatus wunderte sich sehr 48B. Chorus Nein, diesen nicht" by Les Muffatti, Peter Van Heyghen, released 2014-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
Y32Registrant
13Year (2013)
03048Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Brockes-Passion: 48A. Recitativo (Evangelist) Pilatus wunderte sich sehr 48B. Chorus Nein, diesen nicht" by Les Muffatti?
The ISRC for "Brockes-Passion: 48A. Recitativo (Evangelist) Pilatus wunderte sich sehr 48B. Chorus Nein, diesen nicht" by Les Muffatti, Peter Van Heyghen is DEY321303048.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEY321303048?

DEY321303048 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Brockes-Passion: 48A. Recitativo (Evangelist) Pilatus wunderte sich sehr 48B. Chorus Nein, diesen nicht" by Les Muffatti, Peter Van Heyghen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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