Mix Fabián Corrales: Vuélvete a ir / Ni de aquí a la esquina / Tu norte soy yo album cover

ISRC

DGA062313921

Mix Fabián Corrales: Vuélvete a ir / Ni de aquí a la esquina / Tu norte soy yo

Andrés Ariza VillazónJuan José Granados
Released 2023-07-07

Last verified:

DGA062313921 is the International Standard Recording Code (ISRC) for the recording “Mix Fabián Corrales: Vuélvete a ir / Ni de aquí a la esquina / Tu norte soy yo by Andrés Ariza Villazón, Juan José Granados, released 2023-07-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DGCountry
A06Registrant
23Year (2023)
13921Designation
Country:
ISO 3166-1 alpha-2 country code (DG).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Mix Fabián Corrales: Vuélvete a ir / Ni de aquí a la esquina / Tu norte soy yo" by Andrés Ariza Villazón?
The ISRC for "Mix Fabián Corrales: Vuélvete a ir / Ni de aquí a la esquina / Tu norte soy yo" by Andrés Ariza Villazón, Juan José Granados is DGA062313921.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DGA062313921?

DGA062313921 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mix Fabián Corrales: Vuélvete a ir / Ni de aquí a la esquina / Tu norte soy yo by Andrés Ariza Villazón, Juan José Granados. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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