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ISRC

DK5C50142767

Interaction With Audience / Crazy

Marie Osmond
Released 2020-07-03

Last verified: August 7, 2026

DK5C50142767 is the International Standard Recording Code (ISRC) for the recording “Interaction With Audience / Crazy” by Marie Osmond, released 2020-07-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DKCountry
5C5Registrant
01Year (2001)
42767Designation
Country:
ISO 3166-1 alpha-2 country code (DK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Interaction With Audience / Crazy" by Marie Osmond?+
The ISRC for "Interaction With Audience / Crazy" by Marie Osmond is DK5C50142767.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC DK5C50142767?

DK5C50142767 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Interaction With Audience / Crazy” by Marie Osmond. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Marie Osmond

DK5C50142767 is the International Standard Recording Code (ISRC) for the recording “Interaction With Audience / Crazy” by Marie Osmond, released 2020-07-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Marie Osmond

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