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ISRC

DKAZ70900114

FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY

Song: THE DAY AFTER YESTERDAY III (THE STORY FEAT. JULEE

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DKAZ70900114 is the International Standard Recording Code (ISRC) for the recording "FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KENNETH BAGER, JULEE CRUISE, MIKKEL HESS.

Format

DKCountry
AZ7Registrant
09Year (2009)
00114Designation
Country:
ISO 3166-1 alpha-2 country code (DK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY
IPIKENNETH BAGER

Related

Songwriter profiles

KENNETH BAGERIPI

People also ask

What is the ISRC for "FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY"?
The ISRC for "FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY" is DKAZ70900114.
Who wrote "FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY"?
"FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY" was written by KENNETH BAGER, JULEE CRUISE, MIKKEL HESS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DKAZ70900114?

DKAZ70900114 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FRAGMENT ELEVEN (THE DAY AFTER YESTERDAY): III THE STORY". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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