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"FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)" album cover

ISRC

DKAZ70900205

"FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)"

Song: FRAGMENT TWENTY FOOTSTEPS

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DKAZ70900205 is the International Standard Recording Code (ISRC) for the recording ""FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)"". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIKKEL HESS, KENNETH BAGER.

Format

DKCountry
AZ7Registrant
09Year (2009)
00205Designation
Country:
ISO 3166-1 alpha-2 country code (DK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)"
IPIMIKKEL HESS

Related

Songwriter profiles

MIKKEL HESSIPIKENNETH BAGERIPI

People also ask

What is the ISRC for ""FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)""?
The ISRC for ""FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)"" is DKAZ70900205.
Who wrote ""FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)""?
""FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)"" was written by MIKKEL HESS, KENNETH BAGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DKAZ70900205?

DKAZ70900205 is an International Standard Recording Code (ISRC) that uniquely identifies the recording ""FRAGMENT TWENTY ""FOOTSTEPS"" (FEAT. HESS IS MORE)"". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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