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ISRC

ES7890200305

La clemenza di Tito, KV 621: Aria: Parto, ma tu ben mio

Song: La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)

Joyce DiDonatoOrchestra of the Eighteenth CenturyFrans Brüggen
Released 2004-01-01

Last verified:

ES7890200305 is the International Standard Recording Code (ISRC) for the recording "La clemenza di Tito, KV 621: Aria: Parto, ma tu ben mio" by Joyce DiDonato, Orchestra of the Eighteenth Century, Frans Brüggen, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ESCountry
789Registrant
02Year (2002)
00305Designation
Country:
ISO 3166-1 alpha-2 country code (ES).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La clemenza di Tito, KV 621: Aria: Parto, ma tu ben mio" by Joyce DiDonato?
The ISRC for "La clemenza di Tito, KV 621: Aria: Parto, ma tu ben mio" by Joyce DiDonato, Orchestra of the Eighteenth Century, Frans Brüggen is ES7890200305.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ES7890200305?

ES7890200305 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La clemenza di Tito, KV 621: Aria: Parto, ma tu ben mio" by Joyce DiDonato, Orchestra of the Eighteenth Century, Frans Brüggen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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