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ISRC

ESA012417229

LAST CHRISTMAS

CHRISTMAS CHRISTMAS 2018 CHRISTMAS 2019 HITSCHRISTMASCHRISTMAS 2018CHRISTMAS 2019 HITS
unmatchedNot yet matched in the MLC database

Last verified:

ESA012417229 is the International Standard Recording Code (ISRC) for the recording “LAST CHRISTMAS” by CHRISTMAS CHRISTMAS 2018 CHRISTMAS 2019 HITS, CHRISTMAS, CHRISTMAS 2018, CHRISTMAS 2019 HITS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL FISHER, BRETT FISHER, THOMAS EARNSHAW, and others.

Format

ESCountry
A01Registrant
24Year (2024)
17229Designation
Country:
ISO 3166-1 alpha-2 country code (ES).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "LAST CHRISTMAS" by CHRISTMAS CHRISTMAS 2018 CHRISTMAS 2019 HITS?
The ISRC for "LAST CHRISTMAS" by CHRISTMAS CHRISTMAS 2018 CHRISTMAS 2019 HITS, CHRISTMAS, CHRISTMAS 2018, CHRISTMAS 2019 HITS is ESA012417229.
Who wrote "LAST CHRISTMAS"?
"LAST CHRISTMAS" was written by PAUL FISHER, BRETT FISHER, THOMAS EARNSHAW, GITA BAKRADZE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ESA012417229?

ESA012417229 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LAST CHRISTMAS” by CHRISTMAS CHRISTMAS 2018 CHRISTMAS 2019 HITS, CHRISTMAS, CHRISTMAS 2018, CHRISTMAS 2019 HITS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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