ISRC

FI3HM0800168

I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS]

DARUDE
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Last verified:

FI3HM0800168 is the International Standard Recording Code (ISRC) for the recording “I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS] by DARUDE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JASPER TREMAINE CAMERON, ELVIS WILLIAMS, CIARA PRINCESS HARRIS.

Format

FICountry
3HMRegistrant
08Year (2008)
00168Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS]

People also ask

What is the ISRC for "I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS]" by DARUDE?
The ISRC for "I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS]" by DARUDE is FI3HM0800168.
Who wrote "I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS]"?
"I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS]" was written by JASPER TREMAINE CAMERON, ELVIS WILLIAMS, CIARA PRINCESS HARRIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FI3HM0800168?

FI3HM0800168 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I RAN (SO FAR AWAY) (WEIRDNESS REMIX) [FEAT. BLAKE LEWIS] by DARUDE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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