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ISRC

FIAVS1200010

Act II Overture / Hojotoho! Hojotoho!

Song: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt

Hans HotterAnita VälkkiOrchestra of the Royal Opera HouseCovent GardenSir Georg Solti
Released 2012-05-26

Last verified:

FIAVS1200010 is the International Standard Recording Code (ISRC) for the recording "Act II Overture / Hojotoho! Hojotoho!" by Hans Hotter, Anita Välkki, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti, released 2012-05-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
AVSRegistrant
12Year (2012)
00010Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Act II Overture / Hojotoho! Hojotoho!" by Hans Hotter?
The ISRC for "Act II Overture / Hojotoho! Hojotoho!" by Hans Hotter, Anita Välkki, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti is FIAVS1200010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FIAVS1200010?

FIAVS1200010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Act II Overture / Hojotoho! Hojotoho!" by Hans Hotter, Anita Välkki, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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