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ISRC

FIFIN9301102

Oratorio "Ante finem saeculi": Tempus II (excerpt)

Song: Ante finem saeculi: Tempus II

Eesti Filharmoonia oratooriumikoorVera TaleshEesti Riiklik SümfooniaorkesterTõnu Kaljuste
Released 1994-01-01

Last verified:

FIFIN9301102 is the International Standard Recording Code (ISRC) for the recording "Oratorio "Ante finem saeculi": Tempus II (excerpt)" by Eesti Filharmoonia oratooriumikoor, Vera Talesh, Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
FINRegistrant
93Year (1993)
01102Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Oratorio "Ante finem saeculi": Tempus II (excerpt)" by Eesti Filharmoonia oratooriumikoor?
The ISRC for "Oratorio "Ante finem saeculi": Tempus II (excerpt)" by Eesti Filharmoonia oratooriumikoor, Vera Talesh, Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste is FIFIN9301102.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FIFIN9301102?

FIFIN9301102 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Oratorio "Ante finem saeculi": Tempus II (excerpt)" by Eesti Filharmoonia oratooriumikoor, Vera Talesh, Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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